Written by Webzine Business Team
It’s frequently been said, but it bears repeating. Bad sound quality is further of a turn-off in videotape than bad videotape quality. However, you’ll most probably be dissatisfied at some point, If you’re counting on your camera’s microphone for sound.
With your action camera, the result isn’t as simple as buying an external microphone. You’ll need an action camera microphone attachment. This is because utmost action cameras don’t have a microphone input.
Do you want to boost your sound quality to the coming position by perfecting audio quality? also read our review of the stylish action camera microphone attachments.
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How to Attach an External Microphone
The first handicap to overcome is the lack of an audio jack. You need to get your audio signal into your action camera. Action cameras warrant an external microphone input harborage. This means you’ll need a microphone appendage to use an external microphone. But with some aged or cheaper action cameras, there might not indeed be an option available.
This review assumes that compact usability is precedence for action cameras. All these external microphones will connect to an audio archivist, but that isn’t the focus then.( As a side note, an audio archivist takes you to the coming position for better sound quality. substantially because it improves the microphone pre-amp tremendously.)
Assuming this isn’t the case for you, also let’s do it.
External Microphone Adapters for GoPro Cameras
For a GoPro HERO3 or HERO4 action camera, you’ll need an a3.5 mm to USB mini B appendage to attach an external microphone. This might just be an simpleminded dongle. But it’ll allow you to connect an external microphone to your GoPro.
For the GoPro HERO5 and latterly, effects come a bit simpler. GoPro makes an appendage that connects to the USB C socket and provides an a3.5 mm USB C socket. This is the simplest result from the HERO5 to the HERO7 action cameras.
The neatest product for the HERO8, HERO9, and HERO10 is GoPro’s own Camera Media Mod.( Although analogous, the HERO8 Media Mod doesn’t fit the other two action cameras.)
The Media Mod is a wraparound appendage that connects to the USB socket on the action camera. It adds a directional microphone, two cold shoe mounts, and3.5 mm, USB C, and mini HDMI anchorages. The integral external microphone is formerly better than the action camera’s own mic. The amount and the3.5 mm socket add a tremendous range of possibilities.
But there are two downsides. The mod isn’t leakproof and will compromise the action camera’s waterproofing. This means you can’t use it if you suppose the camera might get submerged. It also adds a subcaste of complexity to changing the battery, as it has to be fully removed from the camera to do so.
Volition is the Ulanzi range of GoPro action camera jackets. They don’t have the integral external microphone set up on the Media Mod. But they do offer further inflexibility for mounting accessories. The jackets allow easier access to the battery and SD card. They also give both tripod screw and GoPro cutlet mounting options. But you’ll still need a USB to3.5 mm appendage.
External Microphone Adapters for DJI Osmo Action and Action 2
General dongles with a USB C to3.5 mm should work with DJI Osmo Action and Action 2 cameras. But it’s a good idea to always check the comity before you buy. The CYNOVA Osmo Action Dual provides a more modular-looking result and adds a USB C harborage. As with the GoPro Media Mod, using the appendage compromises the waterproofing.
So, we’ve sorted out the appendage situation. Now let’s look at choosing an external microphone for your action camera footage.
What is the Best Action Camera Microphone?
We’re going to look at two main types of microphones for your action camera — shotgun and lavalier. Which one is right for you’ll depend on your requirements.
Microphones collect sound in analogous ways but are designed for different purposes. An action camera microphone will be omnidirectional. This means it gathers sound from far and wide. But really, these microphones prisoners sound from a 180º field.
A shotgun mic gives you a more directional sound. It’ll also deliver bettered sound quality and better wind noise repression. It’ll count or reduce sound coming from the side and reverse, fastening on what’s directly in front of the mic.
A lavalier microphone collects sound important like the action camera mic. Its advantage is it gets you up near for interviews or history. This improves ambient noise reduction. With an action camera, it makes no sense to tie yourself down with cables, so we’ll just look at wireless results.
How to Choose a Lavalier Microphone
The lavalier microphone is occasionally called a lapel or tie-clip mic. It’s familiar to us all from TV. What isn’t always egregious is that they’re used in dramatizations and flicks, hidden from view. Audio professionals like them because you can place them close to the sound source.
The lav mics for action cameras we’ve chosen for this review look different from television bones
. This is because they combine the transmitter and microphone in one unit. Not so good for television, but great for convenience when on the go. It means there are no running cables, which is important for the action camera stoner.
7 Best Action Camera Microphone Attachment
1: Rode Wireless Go II
Rode is a well-admired manufacturer of audio products. And the Wireless Go II is a great illustration of why they’re so popular. There are two performances, with either one or two transmitters.
They’re compact, square, and fluently movable. The transmitter attaches to the subject’s clothes, and the receiver mounts on a cold or hot shoe. You’ll also need to connect the receiver to the 3.55 input harborage of your chosen appendage.
The transmission range for the wireless is quoted as 660 ′( 200 m). So really, anything near 330 ’( 100 m) should no way be a problem. The transmitter provides onboard recording. This means you won’t lose the audio indeed if the transmission drops out.
The Wireless Go II uses Rode’s safety mode. This records an alternate audio track at 20 dB. The transmitter saves your sound at a lower volume without trimming, indeed if you get overexcited as you dip out of an airplane
. The Rode phone app allows control of safety mode and other features. The receiver also has a clear color TV screen for covering several parameters.
2: DJI Mic
The DJI Mic is specifically designed for the DJI Osmo Action. It comes with a cold shoe appendage allowing you to use it with other cameras, including your action camera. There are two microphone/ transmitter units and a receiver. And they can each be safely stored in a solid charging carry case. This makes transporting, pairing and charging the units simple.
You can crop the transmitters to clothing. However, they also have a glamorous mount, If that’s not possible. This is a useful result for T- shirts or unbuttoned shirts, for the case.
The battery life is 15 hours and will far outlive the recording time on any action camera. And the included deadcats will reduce wind noise.
Like the Rode Wireless Go II, the DJI Mic has onboard recording and a safety track( of-6 dB). It also has malleable gain situations, so you can match the receiver’s affair to the requirements of your action camera.
3: Synco G2
I’m including this as a contender in the budget external microphone field. The Synco G2 operates on the same principle as the former microphone systems. What it lacks is the onboard recording, so if your audio drops, also you lose that section of the recording. And it doesn’t have a safety track moreover.
harkening to the Synco G2 and Rode Wireless Go II side-by-side, the Rode has superior sound quality. There’s lower noise, and the sound is richer. The Rode provides better audio quality than the Synco G2.
All effects are relative, however. The Synco will give you better voice recording at a distance than the action camera erected- in the microphone. However, which is indeed more precious), also the Synco is worth a look, If you don’t want to spend the plutocrat on the Road( or the DJI.
How to Choose a Shotgun Microphone
A shotgun microphone is more directional than lavalier mics. It’s designed to capture the sound coming from the direction it’s pointing in. This improves audio quality by reducing unwanted external noise.
A shock mount will reduce the noise transmitted through the action camera casing. And a deadcat will help attack wind noise. These are handy features given how you use an action camera.
Still, also you formerly have a shotgun mic( of feathers), If you have gone the GoPro Media Mod route.
It’s by far the lowest option and is commutable between frontal and hinder-facing. In utmost cases, it’ll offer more advanced audio quality than the erected-in mics. But it’s not the same as an external microphone. The supplied froth windshield will help with wind noise, but not as important as a deadcat.
4: Movo VXR10 Pro
The Movo VXR10 Pro shotgun microphone is a shock-mounted compact shotgun mic. The mic comes with lines to connect to your action camera or a smartphone. It also comes with a trip poke
and a deadcat windshield.
The Movo VXR10 Pro has a richer sound with a lower high-frequency response than the Rode. The strike of this is that in veritably windy conditions, the Movo tends to pick up too important wind noise. This is true indeed with the deadcat installed.
This might be a problem, given that action cameras spend so much of their time in the great outside. At this price, it’s no surprise that there’s no high-pass sludge or gain control. But there’s a headphone socket so you can cover your recording.
5: Sairen VM-Q1
I’ve only lately come across Siren. But the VM- Q1 microphone is attracting some positive reviews. The mic comes at a veritably low price. It’s veritably compact and comes with shock mount, deadcat, and froth windshields.
Sound quality is a mixed bag, as at least one critic set up that the lines included with the mic were veritably noisy. That being said, with a string upgrade, the sound is emotional for the price type.
And again, flashback, indeed using a budget mic like this will significantly ameliorate the audio quality of your videotape recording. The Sairen VM- Q1 doesn’t have a headphone jack, so you won’t be suitable to cover the sound on the go.
6: Rode VideoMicro
Rode is a dominant force in the world of vlogging and YouTube. incompletely because they have a wide range of microphones. It seems the Rode “ sound ” seems to meet the prospects of content generators and consumers.
The VideoMicro can sound a little lacking in lower frequency compared with others. This is because the frequency response nearly fully eliminates the sub- 100 Hz range. This is great for subduing business noise. It also makes the mic veritably effective in windy conditions. This is especially true when using the included deadcat windshield.
The mortal voice largely relies on advanced frequency as well. maybe the affection for this brand is because Rode captures speech easily. It also allows it to cut through the background clutter.
7: Boya BY-MM1
Regarding sound quality, it’s hard to tell the difference between the Rode VideoMicro and the Boya in MM1. still, your portmanteau will notice the difference as the ultimate is roughly half the price.
The in- MM1 has the extras we’d anticipate from this type of microphone. It comes with a deadcat, shock mount, lines, and carry poke
. The in- MM1 is a solid pantomime, and I prefer the sound from the Boya to the Rode. But the slightly inferior performance in the wind might be a deciding factor for you.
Let’s remind ourselves why we’re looking at external microphones. An external microphone significantly increases the sound quality of your videotape recordings. This is true in nearly any circumstance.
You need to consider the type of recording you do, the conditions you do it in, and your budget. This will determine which of these external microphones will be right for you.
For simplicity and ease of use, the Rode Wireless Go II is an excellent choice for a lavalier microphone. However, the DJI Mic is a really seductive choice, If you have the redundant plutocrat. The charging trip case and glamorous underpinning options are great features.
With a shotgun microphone, the choice is to balance performance with particular preference. My own choice would be the Boya in MM1 because of the uproariousness of its sound. The stylish action camera microphone attachment for your requirements will be a balance between performance, price, and particular preference.